Dougie Poole & Tonstartssbandht
Dougie PooleA country songwriter from Brooklyn’s indie underground, Dougie Poole blurs the lines between genre and generation on his third solo album, The Rainbow Wheel of Death. Rooted in sharp songwriting, Poole’s golden baritone, and the organic sounds of a live-in-the-studio band, it’s a classic-sounding record for the modern world, stocked with songs that make room for everything from old-school synthesizers to contemporary storytelling.The Rainbow Wheel of Death’s title nods to the colorful pinwheel that appears onscreen whenever a computer’s application stalls. For Poole — who found himself working as a freelance computer programmer once the pandemic brought his touring schedule to a temporary halt in 2020 — it’s also a reference to the holding pattern that’s left much of society feeling stuck, unable to move ahead in an uncertain world. That feeling was pervasive when he began writing these nine songs, finishing the first handful of tracks in his New York City bedroom and wrapping up the songwriting process in the recording studio itself, this time surrounded by a band of collaborators and instrumentalists.Once hailed as the “patron saint of millennial malaise” for his sardonic wit and topical, tongue-in-cheek songwriting, Poole broadens his reach here. He fine-tunes his genre-bending approach to country music, too, with The Rainbow Wheel of Death reaching far beyond the genre’s boundaries for new sounds and unexpected textures. “High School Gym” builds a bridge between 2020s lo-fi textures and 1980s pop vibes, while “Must Be In Here Somewhere” — whose narrator sits at a lap top, searching through “every server burning in North Carolina” for a digital souvenir of a long-lost relationship — mixes modern concerns with classic country instrumentation. If records like 2017’s Wideass Highway and 2020’s breakthrough release The Freelancer’s Blues told stories about uninspired Millennials languishing in dead-end jobs and no-good relationships, then The Rainbow Wheel of Death focuses on more universal issues like mortality, love, and the passing of the time.With The Rainbow Wheel of Death, Dougie Poole breathes new life into country music, retaining the acclaimed elements of his previous work — drum machines, acoustic guitars, synthesizers, and his deep-set voice — while pushing toward something warm, organic, and prismatic.TonstartssbandhtAndy and Edwin Mathis White are the duo known as Tonstartssbandht. They began in August of 2007 in their hometown of Orlando, Florida. Soon after, Andy and Edwin moved to their new respective homes in Montreal and New York City. In these two cities Tonstartssbandht continued under the restraint of solo writing, recording, and e-mailed collaboration. This method of songwriting and exchange was carried through on their three self-released 2009 albums, An When, Dick Nights, and Maihama. After bringing the split psyche sets on the road, the focus eventually shifted toward a streamlined live instrumentation involving their voices and analog ware. As Tonstartssbandht continued touring, the recording never stopped. Full set live cassettes followed with Nantes, Hanoi, and Christchurch. After moving back to Orlando in early 2016, their home studio album Sorcerer was finally completed and released via Mexican Summer the following year. The duo spent the pandemic writing new material after a touring hiatus and are issuing a new LP in the fall of 2021 alongside a full North American Tour.Supported By: Bobby Lee & the Hubba Hubbas
Laura Hickli
Laura HickliLaura Hickli (Mohkfnstsis/Calgary) is an internationally touring baroque pop songstress known for her dreamy, tightly-arranged soundscapes, exquisite vocals, evocative lyrics and her emotionally powerful performances. A classically trained pianist and member in several award-winning musical projects including Carla J. Easton and 36?, Hickli’ s latest material has struck a spellbinding balance of spectral intimacy and bombast explosivity.Described as ‘indomitable,’ Laura Hickli will shatter any expectations of the way a piano should be played, a voice should be lifted, or a life should be lived.The Goodbye PartyThe Goodbye Party is the solo moniker of songwriter/instrumentalist Michael Cantor. He writes pop songs, refracted through atmospheric soundscapes and cassette tape noise. Rose LeeEmerging electronic artist Rose Lee has been playing music since she can remember. Hailing from Kensington, Philadelphia and the daughter of a jazz musician and a visual artist, Rose came up fully immersed in Philadelphia’s rich Jazz and arts culture. This has been a driving force in her creativity, which not only transcends music, but continues to break down walls merely by existing outside genre norms.All shows at Dolphin Tavern are 21+
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The Sonder Bombs
The Sonder Bombs Like moonlight bouncing through the leaves of an old oak, the newest piece in The Sonder Bombs’ ever transforming portfolio shimmers through the fog to reveal a new era for the band. In making peace with mortality, “The Star” reflects and embraces the power of losing control. Through navigating an industry built to suppress and exploit artists, songwriter/vocalist Willow Hawks croons the question, “will you see me for who I am? Not for what you bought.” Mixed by Sarah Tudzin (of Illuminati Hotties) “The Star” highlights everything we already cherish about TSB while gifting us so much more to obsess over. Self-funded & self-released, The Sonder Bombs are only interested in carving their own way through the woods, straight to center stage. The Ophelias After the critically acclaimed Almost opened The Ophelias to a world beyond their Cincinnati home in 2018, the indie rock quartet craved a return to a sense of community. “It was surreal for this time capsule of events and feelings, songs written early in college, to be reviewed in outlets like the New York Times,” recalls vocalist/guitarist Spencer Peppet (she/her). The band members no longer lived in the same city—Peppet and new bassist/longtime music video collaborator Jo Shaffer (they/them) live in New York, while drummer Mic Adams (he/him) and violinist Andrea Gutmann Fuentes (she/her) remained in Ohio. In the time since Almost, a fair amount changed: the band members all graduated from college, Shaffer joined as the new bassist, and Adams came out as transgender and started HRT. So when it came time to record the candid, expansive Crocus (due September 24th via Joyful Noise Recordings), The Ophelias purposefully focused on the experimental, communal spirit that fueled their first record. Through songs equally infused with references to the Bible and The Twilight Zone, The Ophelias wring mystic emotion out of the spaces between their past, present, and future.The Ophelias’ growth has been marked — so much has transformed and been rebuilt that the Ophelias feel like they’re eagerly reintroducing themselves to the world. “Crocus represents that state of flux, between dreaming and reality or internal reflection and external action,” Peppet says. “I had to wring this all out of my chest, and doing that is very vulnerable. But being in a band with such a strong sense of community, trust, care, and love makes that process a lot easier.” All shows at Dolphin Tavern are 21+
Hotel Fiction
Hotel Fiction:Hotel Fiction is an Athens, Georgia-based band comprised of Jade Long and JessicaThompson. Both women have been playing music for over ten years and began writing,performing, and playing together in January 2019. In August of that year, Hotel Fiction releasedtheir debut single “Astronaut Kids” which received a warm welcome from the indie scene, andwent on to amass over 2 million global streams.Hotel Fiction’s sound has often been described as genre-fluid, with indie, pop and rockinfluences. With Jade’s dynamic vocals and piano, and Jessica’s complementary lead guitar andharmonies, the two create a sound that invites listeners to settle in and stay a while. For HotelFiction, the no vacancy sign is never illuminated, everyone is accommodated here.During quarantine, the two finished recording their debut album Soft Focus which was releasedin the fall of 2021. The project was met with praise from Atwood Magazine, Early Rising, A1234,and We Are the Guard, and was placed on Spotify editorial lists Fresh Finds and Fresh FindsRock, where it spent eight weeks straight.Most recently, Hotel Fiction has supported Beach Fossils, Adam Melchor, flipturn and TheBrooke and The Bluff. The band released their new EP Enjoy Your Stay on October 28, 2022.Supported By:Air DeviAll shows at Dolphin Tavern are 21+
Solid Bronze
Solid Bronze – Groove-based, psychedelicly-tinged, jazz-informed, hazy funk. Hot off the heels of their sophomore album, Mt. Fuji, the six-piece live lineup brings it all to the stage from deep rhythm section grooves to meditative airiness. The Third Arrangement – In a blend of jazz, funk, rock, and even pop, the sounds range from warm and imaginative to jarring shuffles, which can be heard on their 2019 release Scarecrows up to their newest single “The Look”. Moustapha Noumbissi -Moustapha grew up a participant of many musical traditions, including West African drumming, American pop, and choral music. His latest recordings with producer Lee Clarke favor indie rock and psychedelic soul.
Scorched Koser Bee Monsters
KOSER is an award winning fun and frisky five piece, with Thin Lizzy guitars and Amy Winehouse vocals. KOSER swims in the alt rock pool, diving deep into the galactic glitter grunge side. KOSER is known for their infectious stage presence, punchy hook writing, and impressive genre melting. If you’ve ever wondered what a two-headed sax man looks like, come to a KOSER gig and they’ll show you. Scorched Waves, is an indie rock sensation hailing from Stevens Point, WI. Self described as “Groove-Punk” The quintet has comparable sounds to the likes of Arctic Monkeys, The Killers, The Bravery, and The Kooks offering a unique blend of Indie/Alternative Rock, Post Punk, and Pop Punk. BEES! is an Arcade Rock band from Philadelphia. It’s not like they’re the bees; it’s more like you’re in a horror movie being chased by giant radioactive bees, screaming “BEES!” Inspired by The Presidents of the United States of America, Queens of the Stone Age, and the music from Super Mario World, a BEES! show feels like you’re back in a 90s arcade. Sacred Monsters bring forth a unique blend of raw emotion and unapologetic energy, crafting what they proudly dub as “sad girl rock.” Drawing inspiration from the grunge-infused sounds of Veruca Salt and the Breeders, while also tipping their hat to the infectious hooks of Weezer, Sacred Monsters carve out their own sonic niche in the Philly indie rock scene. ALL EVENTS AT DOLPHIN TAVERN ARE 21+
Puppy Angst
Puppy Angst Puppy Angst is a gazy dreamy fuzz pop band from Philadelphia started by Alyssa Milman (guitar, vocals). Alyssa’s songwriting combines raw, diary-like lyricism colored by the biting introspection of adulthood with shoegaze and dream pop influences, resulting in tracks that tell a noisy and unapologetic coming-of-age story. Dan Leinweber (guitar, vocals), John Heywood (bass), and Eric Naroden (drums) round out the rest of the band. As of February 2023, Pauli Mia has joined on synth and backing vocals. Alyssa previously toured with fellow Philly pop outfit Kississippi, and their past projects include Past Life and Blushed, in which they were a founding member. Dan played lead guitar in Blushed alongside Alyssa, and currently also creates music under his projects Greenspace and Radial Gradient. John plays bass in Alex G, Eric is the frontman of In Lieu of Roses, and Pauli is the frontwoman of Twin Princess. Creeping Charlie (MN) Creeping Charlie “makes music for cool older sisters” extending from sublime ballads to indie and punk rock. Comprised of sister duo Julia (lead singer/ guitarist/ songwriter) and Esmé Eubanks (bassist), later incorporating Jack Malone (drums) and Harry Miles of Atomic Cafe (guitar), the band released their debut EP Asymmetrical in May, 2020, and it landed high on the NACC radio chart, tying with iconic acts like Car Seat Headrest and STRFKR. Inspired by the likes of Mazzy Star, Built to Spill, and Nirvana, be prepared to both cry and get sucked into a mosh pit at their shows. Julia Eubanks draws from a broad palette of influences, blending a Patti Smith early punk ethos through a guitar-driven 90’s Seattle pastiche, interweaving sonic experimentation with irresistible hooks. The 10 tracks on How to Kill Creeping Charlie— ranging from quietly reflective to all-out rocking— paint a vivid picture of youth and the alienating times we live in, and how to find redemption. Since its recent origin, the band has taken the Minneapolis music scene by storm. creeping charlie is bigger than the recordings— it’s invasive and everywhere. You may be wondering How to Kill Creeping Charlie; you can’t. Spirit Weak If Drug Church, Pup and The Menzingers walked into a bar, Spirit Weak would be the punchline. Spirit Weak is a South Philadelphia punk adjacent band. Before becoming a full fledged band, Spirit Weak was a solo recording project spearheaded by Mazz Cardone , who began booking and playing punk shows in Philadelphia in his early teens. In March of 2023 Spirit Weak assembled as a full band, and had two months to write a set for their first show. Spirit Weak played their first show on May 16th 2023, with Dead Bars; and they hit the ground running. Since, Spirit Weak has been booked with Off With Their Heads, New Junk City, Dead Bars, Timeshares, Mercy Union, Dosser, Sekunderna, Friend, Froggy, Church Girls, Heavy Lag and many more! In Lieu of Roses In Lieu of Roses worked quietly and diligently in Philadelphia from their start in 2019 before releasing their first offering some two years later, a single to prelude their new self-released EP. The single, an organ-led indie blues song called “Side by Side,” dropped in April. That EP, called Please Send, came in June. 2022’s Please Send is largely characterized by that initial blues rock style, with singer/guitarist Eric Naroden stepping between croons and howls akin to Modest Mouse and Bon Iver. Each song on Please Send swings, but also has a heavy indie rock feel and dynamic control that usually only acts with many years behind them can create. A year later, In Lieu Of Roses returns with For Eternity, another self-released EP designed to show a different side of the group.
Sweet Juice Fundraiser
Sweet Juice Fundraiser Presents:Popcorn DaddyjustmadniceThe Lunar Yearhosted by: Sug Daniels The Lunar Year The Lunar Year is the art rock project of Philadelphia based musician and producer Katie Hackett. She has released two full length albums (Herodias, 2017) (katie bird, 2020) and in September 2022 released single Mist of the Teal Mara in anticipation of her new record, due out later this year. The band has gone on two U.S. tours (East and West Coast) and will be embarking on their third at the end of March 2023. Hackett has also scored for film, being featured at the London International Animation Festival, Viet Film Fest, and MAM Festival. Her songs have been featured on comedian Chris Gethard’s New Jersey is the World, MTV’s Teen Mom and Teen Mom 2. justmadnice justmadnice is a Philadelphia based ensemble fronted by Alex Far. Collectively described as blues-dipped psychedelic jazz, Farr’s vocals are reminiscent of Lianne La Havas and Billie Holiday. Originally a solo project, their debut EP, Small, was released in 2021 followed by a music video for their song “Lost,” a handful of live recording sessions, and their single “Resolution” released in 2022. From minimalist, delicate, folk tunes to a stage performance that will shake you to your soul, justmadnice is entering into an era of experimental sound. While still holding onto their love of minimalism, they are clearly influenced by elements of noise, psychedelic rock, and negro spirituals. Popcorn Daddy Popcorn Daddy is a pop-folk duo created by Melina Harris and Shona Carr. With an immense appreciation for harmony, these two artists mix earnest, vulnerable songwriting with tongue in cheek social commentary to develop musical performances that are both deep and whimsical. Through their engaging and catchy tunes, Popcorn Daddy aims to share the chemistry and passion of their friendship – or their ‘poppity-pop’ as they like to call it – with audiences everywhere. Sug Daniels (host) Sug Daniels is a Delaware born singer-songwriter and producer based out of Philadelphia who is using the tools around her to capture the emotions of an era. Daniels’ work is as colorful, vulnerable, and charismatic as her personality. She thoughtfully combines elements of folk, R&B, and soul alternatives to create personal and tender music interlaced with messages of truth and positive change.
Jennifer Vanilla
Jennifer Vanilla w/ Cheeky and Trans Zimmer Described by fans as “Madonna meets Hey Arnold meets Michael Alig meets Grace Jones meets infinity,” Jennifer Vanilla is the persona-driven fantasy vessel LARPed into reality by performance artist Kye Grant (once a longtime member of NYC indie outfit Ava Luna). Known for their dynamic interactive performances, Jennifer is an ecstatic hypist brought to life inside the temporary collective formed during their live shows. Their new album Castle in the Sky—”an addictive morphine drip of synths and art pop” (Nylon) inspired by the likes of Deee-lite and Will Powers— is out on Sinderlyn Records with remixes by musclecars, Jerry Paper, and Love Injection. This performance will be a special live set with collaborator Brian Abelson on the decks. All events at Dolphin Tavern are 21+