Jennifer Vanilla

Jennifer Vanilla w/ Cheeky and Trans Zimmer Described by fans as “Madonna meets Hey Arnold meets Michael Alig meets Grace Jones meets infinity,” Jennifer Vanilla is the persona-driven fantasy vessel LARPed into reality by performance artist Kye Grant (once a longtime member of NYC indie outfit Ava Luna). Known for their dynamic interactive performances, Jennifer is an ecstatic hypist brought to life inside the temporary collective formed during their live shows. Their new album Castle in the Sky—”an addictive morphine drip of synths and art pop” (Nylon) inspired by the likes of Deee-lite and Will Powers— is out on Sinderlyn Records with remixes by musclecars, Jerry Paper, and Love Injection. This performance will be a special live set with collaborator Brian Abelson on the decks. All events at Dolphin Tavern are 21+
Sweet Juice Fundraiser

Sweet Juice Fundraiser Presents:Popcorn DaddyjustmadniceThe Lunar Yearhosted by: Sug Daniels The Lunar Year The Lunar Year is the art rock project of Philadelphia based musician and producer Katie Hackett. She has released two full length albums (Herodias, 2017) (katie bird, 2020) and in September 2022 released single Mist of the Teal Mara in anticipation of her new record, due out later this year. The band has gone on two U.S. tours (East and West Coast) and will be embarking on their third at the end of March 2023. Hackett has also scored for film, being featured at the London International Animation Festival, Viet Film Fest, and MAM Festival. Her songs have been featured on comedian Chris Gethard’s New Jersey is the World, MTV’s Teen Mom and Teen Mom 2. justmadnice justmadnice is a Philadelphia based ensemble fronted by Alex Far. Collectively described as blues-dipped psychedelic jazz, Farr’s vocals are reminiscent of Lianne La Havas and Billie Holiday. Originally a solo project, their debut EP, Small, was released in 2021 followed by a music video for their song “Lost,” a handful of live recording sessions, and their single “Resolution” released in 2022. From minimalist, delicate, folk tunes to a stage performance that will shake you to your soul, justmadnice is entering into an era of experimental sound. While still holding onto their love of minimalism, they are clearly influenced by elements of noise, psychedelic rock, and negro spirituals. Popcorn Daddy Popcorn Daddy is a pop-folk duo created by Melina Harris and Shona Carr. With an immense appreciation for harmony, these two artists mix earnest, vulnerable songwriting with tongue in cheek social commentary to develop musical performances that are both deep and whimsical. Through their engaging and catchy tunes, Popcorn Daddy aims to share the chemistry and passion of their friendship – or their ‘poppity-pop’ as they like to call it – with audiences everywhere. Sug Daniels (host) Sug Daniels is a Delaware born singer-songwriter and producer based out of Philadelphia who is using the tools around her to capture the emotions of an era. Daniels’ work is as colorful, vulnerable, and charismatic as her personality. She thoughtfully combines elements of folk, R&B, and soul alternatives to create personal and tender music interlaced with messages of truth and positive change.
Super City

Super City: Melodic and guitar driven, Super City is known for their hooky pop sound that blends heavy rock elements and danceability, all with band choreography that results in killer live performances. This Baltimore band expertly crafts guitar and synth earworms that thrive on the creative tension between bombastic rock and roll and stylized movements. Their structures and melodies leave no room for a dull track. At times soothing and inviting, at times posturing and timeless, Dan Ryan and Greg Wellham vocally guide this pop band into a new, heavy, and beguiling territory that is both memorable and brash with their new full-length LP ‘In The Midnight Room,’ available everywhere on October 20th via SofaBurn Records. Quiet Hollers: Shape-shifting Kentucky indie outfit Quiet Hollers’ music connects with listeners around depression, anxiety, grief, and addiction, nodding to a wide range of influences across the spectra of alt. country, indie rock, punk, and in what they have coined “post americana.” Formed by its songwriter Shadwick Wilde in the early 2010’s, the group has announced work on their fifth LP, Loud Mountains, a painfully self-aware retrospective on a decade of fighting through mental illness and the music industry.All events at Dolphin Tavern are 21+
Dead Bars

Dead Bars Seattle, WA A-F Records/Dirt Cult Records DIY…but can you help? Two New Jersey drummers meet in Seattle; magic occurs. Neither (usually) plays drums. A Tom Petty riff over an Iron Chic chorus, where everyone is a regular. This one is for the freaks. Spirit Weak Philly Mazz Cardxne & comrades emerge from quarantine disarrary with gruff, anthemtic pop-punk Olivine Philly Four-Person post-hardcore band. Established 2019, realized 2022. “I am trying my absolute best.”All Shows at Dolphin Tavern are 21+
Ronnie Stone

Ronnie Stone:Ronnie Stone seems to have traveled from both the past and future simultaneously, bringingwith him a unique style of contemporary synth-pop that seamlessly blends nostalgia with thebleeding-edge of modern dance music. The NYC-based producer and multi-instrumentalistwrites and records all of his music, utilizing a massive arsenal of 80’s synthesizers to cook updance-pop gold for the freaks and the loners.His latest album, Ride Again (Feeltrip Records), is the culmination of a decade spent dwellingin the shadows at nightclubs and warehouse parties. Inspired by the solace and epiphanieshe found on the dance floor, he blends New Wave with the groovy and persistentinfectiousness of Techno and House.Ryder Houston:Ryder Houston is a Philadelphia-based filmmaker and musician born and bred just outside of Dallas, Texas. As much as his evocative sound dotes on alternative pop acts Depeche Mode, Garbage, and even Madonna at her most controversial, it also seems to suggest something greater operating on the periphery: a dark, omnipresent melodrama not unlike the crooning music of David Lynch composer Angelo Badalamenti or the baroque sensibilities of Lana Del Rey. Nevertheless, Houston’s spidery vocals continue to weave clichés of lust and rock ‘n’ roll menace anew, adhering himself to a certain groovy allusion to sleazy, opium-den electronica. Plainly stated, it is within this blasphemous little slipstream that Ryder Houston’s unique brand of sonic nostalgia exists.DJ Set by KorineAll events at Dolphin Tavern are 21+
GIFT & Hooveriii
GIFT Surprise—psychedelic Brooklyn, NY quintet GIFT unwrap what Rolling Stone calls “a portal to another dimension” on their debut album, Momentary Presence, out October 14, 2022. On GIFT’S kaleidoscopic debut, bandleader TJ Freda & co. uncap the lens to project their vibrant spectrum of psych, krautrock, dream pop, post-punk, noise rock and electronica upon the vacant surfaces of the mind—inviting listeners to, in the words of countercultural guru Ram Dass, “be here now.” “[It’s about] being with yourself, not by yourself,” says Freda. “You are never alone. You are always with yourself.” Momentary Presence exists, and that’s enough. There is no beginning and no end. From the percolating, in medias res intro of album opener “When You Feel It Come Around” through the swirling, gliding and expansive conclusion of “Here And Now (Time Floats By),” GIFT retains the element of cosmic surprise. Treat yourself to Momentary Presence at finer record stores and streaming apps on October 14, 2022—only on Dedstrange.HooveriiiLos Angeles psych-rock Hooveriii (pronounced “Hoover Three”) shares first take of the album by way of A Round Of Applause’s opening track, “See.” The band’s Bert Hoover notes, ” “See’ is about trying not to take life for granted. Some things are easier said than done. It’s our first song to feature Anna Wallace singing along with us and it came together rather seamlessly. It was a pretty bare bones jangle jam until the band filled it with ear candy.”Though created in large part by founder Bert Hoover, Hooveriii has grown to include Gabe Flores (lead guitar and vocals), Kaz Mirblouk (bass and synths), James Novick (synths), and Owen Barrett (drums).Hooveriii derived the album title from the late-80’s Roky Erickson song “Click Your Finger Applauding the Play.” “That’s too much of a mouthful,” Hoover qualified. “My title, A Round of Applause, just came one day, and we were like, ‘Yo, that sound like a Gentle Giant record.’ “ALL SHOWS AT DOLPHIN TAVERN ARE 21+, NO EXCEPTIONS.
Bass Drum of Death
BASS DRUM OF DEATH The point of an odyssey is to return home changed—still the same person, but deepened somehow, wiser and better, wearing your traveling scars proudly. Bass Drum of Death’s new album Say I Won’t is the end result of a journey that took singer and bandleader John Barrett from a small town in Mississippi and sent him across the world and back home again. The music still rips, with blown-out guitars and drums that sound like bombs going off, and the melodies are catchier than ever, hollered in Barrett’s trademark yelp. But the music hits differently now, more at peace with itself, propelled by a new swagger. Say I Won’t is the record of a veteran band finding its stride and leaning into it, stripping back the excess and finding the raw core of their sound. Say I Won’t, the band’s fifth record, comes at a time of massive change for Barrett, having relocated from New York to his hometown of Oxford, Mississippi during the pandemic. The record is also a homecoming of a different sort, with the band rejoining the ranks of Fat Possum, also in Oxford, the label that released their first record GB City in 2011. “Moving back to Oxford was a much-needed reset,” says Barrett. “When I started, I just wanted to play in a punk band and drink beers and travel around. I didn’t really think much past that. And I got really burned out. When I moved back home, I started writing songs again, just for fun. I realized I wanted this record to have more of a hometown feel. The switch back to Fat Possum was easy. It’s much better working with people I know and love and love everything they do.”DEAD TOOTH After an early stint drumming and singing in Haybaby (Tiny Engines), Zach James began writing and self-producing folk records in his bedroom, donning the name The Silver Spaceman. The project evolved into a post-punk band featuring Andrew Bailey (DIIV) on lead guitar. It snarled and simmered around darker texåtures, miles away from its early folk routes. James looked to his darkened smile and rechristened the project Dead Tooth. They gained momentum opening for bands like Hand Habbits, The Space Lady and Current Joys. After recording their second EP entitled Pig Pile, the pandemic disembodied the band as it did so many others. Sad, yet ambitious to keep the momentum going and release the EP, James rebuilt the project from the ground up. He added an EWI/Sax player and relinquished his own live guitar duties for a frontman stage persona. The new crew was quickly picked up by Rough Trade Publishing and Trash Casual Records. Shortly after, they went on to win OWL Winter Madness (a 16 band, 5 week long “battle of the bands” at Brooklyn’s legendary rooftop venue Our Wicked Lady). They then found themselves playing SPIN Magazine’s SXSW showcase alongside The Lemonheads, Bass Drum of Death and Pom Pom Squad. SPIN wrote of SXSW, “If there was someone who really broke out…it was Brooklyn’s Dead Tooth.” The band also became a large point of focus at Savannah Stopover where the local paper printed 33 photos of the festival, 18 of which were Dead Tooth. ALL SHOWS AT CONCOURSE LIVE ARE 21+, NO EXCEPTIONS
King Pari
Spike Hellis

DJ BABY BERLIN & OVER POP PRESENTS: 21+ SPIKE HELLIS (LOS ANGELES) VOID VISION (PHILADELPHIA)THE IRE (PHILADELPHIA) DJ BABY BERLIN (PHILADELPHIA) SPIKE HELLIS: Los Angeles based electronic duo Spike Hellis comprises of Cortland Gibson and Lainey, who got their start on Halloween of 2019. They self-released their first full-length, self-titled album in April 2022, under their imprint Over-Pop. The album chaotically shifts pace back and forth; the songs running into one another with no time in-between. The record opens with “Control (Rage)”, a layered, firm-handshake body-music track designed to hijack the amygdala. The kick drum resembles the steady flash of a panic button. You press it, but nothing happens—no relief. The irregular placement of snare matches Chang’s cries of dysregulation, spiraling red-eyed after having lost command asking, “Will I regain control?” While presented as a song of despair, optimism and determination shine through in the final line as the question is taken back and turned into a statement, “Watch me regain control”. This is a theme that permeates throughout the album: Taking challenging times of despair and coming through the other end with hope and optimism. Spike Hellis (S/T) was made with the intention to feel jolting. Techno-tinged “Flight” is an SH-101 track wherein lyrical instructions for escaping a dream are chanted over the iconic rubber band sound, with the claps paying homage to Charlie’s “Spacer Woman”. “Slices” is the funky first single which leads into its supplementary counterpart, “Stitches”. Footsteps grow louder until it opens into a dark waltz. Samples of William S. Burroughs cackling ring out over Emulator arpeggios until we arrive at “Teardrops (Kisses)”. While it is perhaps the most light-hearted track on the album sonically, themes of social punishment and isolation push through the surface to reveal conflict at its core. Chang and Gibson trade off cries of shame and humiliation while distorted synths, swirling in polyrhythms, close out Side A.Since finishing the album, Spike Hellis has hit the road hard with zero hesitation—completing two full US tours and a handful of smaller runs within the span of one year. Blasting their bleak outlook and spreading their gospel of disenchantment and sarcasm, Spike Hellis announces their arrival. VOID VISION: Void Vision is the electronic solo project of Philadelphia-based musician, Shari Vari, formed around 2009 when the minimal synth and coldwave genres were undergoing a revival and rebirth thanks to labels such as Wierd Records (home to acts such as Xeno & Oaklander, Led Er Est, Martial Canterel, Automelodi, etc.) and Veronica Vasicka’s Minimal Wave, among others. Void Vision’s cold, analog tracks are dominated by Vari’s haunting, powerful voice. But unlike many others associated with the genre, the songs are quite dynamic in range and structure, referencing a cross-section of the last 30 years of electronic music, while retaining a strong sense of personality and soul that speaks for itself. DJ BABY BERLIN: Philly/NYC DJ/Booker/Streamer who is the purveyor of all things alternative and is known for her monthly dark 80s Dance Party A BLACK CELEBRATION. She will kick off the show with a set and is the host of this show.https://www.facebook.com/DjBabyBerlin
Maxwell Stern with Andrew Bryant (of Water Liars)

MAXWELL STERNHailing from the post-industrial shores of Cleveland, OH and now located in Philadelphia, PA, Maxwell Stern has been crafting his own version of reflective, punk-tinged pop-folk since the early 2000s. He has released a slew of LPs and 7″s with various bands (Signals Midwest, Meridian, Timeshares, Orbits), and has played shows pretty much everywhere including an abandoned restaurant in Wyoming, a mall in China, several squats in Germany and a pretty nice bookstore in Australia. He released his debut solo LP “Impossible Sum” in September 2020 on Los Angeles indie-punk stalwart label Lauren Records, featuring contributions from vocalist Laura Stevenson, steel guitarist Mike “Slo-Mo” Brenner (Wild Pink, Magnolia Electric Co.) and drummer Adam Beck (Sincere Engineer, Into It. Over It). He is definitely not the person writing this.ANDREW BRYANTAndrew Bryant is a singer-songwriter and producer from Oxford, Mississippi. He makes his own records and plays drums and other things in Water Liars. Andrew started playing music as a teenager in the early 90’s in an evangelical church in the rural south. After high school, he became involved in the Memphis DIY scene, relocating his music from the church to the small stages of art spaces and music venues. He began making his own albums in his home in the early 2000’s and toured constantly. In 2012 he teamed up with Justin Peter Kinkel-Schuster to form the band Water Liars. They made 4 albums together and played thousands of shows before giving it up. Andrew now lives in Oxford, Mississippi with his wife Sarah-SoonLing and his three children, making as much music as he can in his home studio.RED BIRDShttps://redbirds.bandcamp.com/ Red Birds deliver an honest and heartfelt take on indie folk music. Through their songwriting they explore the balance of work, family, creativity, and mortality while trying to have fun and stay comfy. ALL SHOWS AT THE DOLPHIN ARE 21+, NO EXCEPTIONS